Day 68, Saturday, November 11, 2017
We changed our plans to visit the town of Siena today so that we can go to the Uffizi Gallery. In hindsight I think we should have planned for more time in Florence, a week was just enough to be a tease. There is so much more I would have liked to see here. ‘sigh’
It is so easy to miss the small sights when surrounded by such majestic ones. I thought the artist who added his or her touch to the official street signs was very clever, especially David carrying the big white ‘do not enter’ bar.
Florence is the birthplace of Carlo Collodi, the author of Pinocchio. I made a new friend but I think Bob has been telling a few fibs lately!We tried to visit the Library again. We were told we could come Saturday morning and the library is open until 1:30. However when we arrive just after 12:00 we discover that ‘visiting hours’ ended at 11:30! No library visits in Florence for us.
This ‘statue’ on the steps at the Uffizi Gallery surprised a few people when it moved!
We are lucky and there is no line up at the Uffizi Gallery. In the summer the wait to get tickets can be as much as five hours! I discover some Italian artists whose work I really like. These paintings seemed to call to me from across the room, begging for a closer look.This drawing by Bellini from 1500-1506 is about three feet long!I think this incredibly beautiful painting ‘Madonna and Child With Two Angels’ 1460-5 by Filippo Lippi is my favourite. A photograph doesn’t do it justice.
The Uffizi is a ‘U’ shaped building with two long wings connected at one end.
The ceilings of both upper wings of the Uffizi are beautifully painted, each panel different from the next…and they are very long hallways!There are many Medieval paintings… I particularly liked all the detail in this Adoration of the Magi from 1423 by Gentile Da Fabrianoand the wings of these little angels. They make me think of parrot wings.I was surprised to see this large Roman copy of an original bronze sculpture from the 3rd Century. I drew a sketch of the original bronze when we visited the Correr museum in Venice. Different angle, same boar.We stopped for tea and a yummy fresh fruit tart in the museum café. Two pots of tea and one tart were ‘only’ $30.00 Canadian, but we had a great view! Rested and refreshed we continue our visit. I saw many paintings that I ‘know’ from reproductions. I feel very fortunate to be able to stand in front of the originals.
Francesca’s The Duke and Duchess of Urbino.
La Primavera, 1480, and…
The Birth of Venus, 1485, both by Botticelli.
Michelangelo’s The Holy Family, known as the Doni Tondo painted in 1507, and…Titian’s Venus of Urbino from 1538. This painting was considered so risqué at the time that it was concealed by a sliding panel until the end of the 16th Century!The ceilings in many of the Gallery rooms were also beautifully painted.We had a great view the Ponte Vecchio from one of the second floor windows.Bob read that this painting was badly damaged by a Mafia car bomb explosion in 1993 and was later restored. I did a bit of research if you want to read about it.There are several paintings by Leonardo Da Vinci in this gallery but I am most interested in The Adoration of the Magi San Donato in Scopeto. Da Vinci never finished this painting so it gives insight into his creative process. I found it fascinating. The painting was being restored for six years and was only returned to the Uffizi in March of this year. This link allows you to zoom in for a closer look.
We managed to see a lot in the 4 1/2 hours we spent at the gallery. Several of the rooms were closed, which was probably a good thing. We never would have managed to see it all if they would have been open. On the way home we pass this rather small, curious door to apartment #9.
One last view of Santa Croce. We learned that a Spanish tourist was recently killed here on Oct.19th, by a piece of masonry the fell from the ceiling.